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At the top of the post, see Hans Richter’s 1927 short film Ghosts Before Breakfast . Here, writes Lori Zimmer of Art Nerd , “flying hats, floating neck ties, [and] stacked guns” illustrate the statement at the film’s opening that “even objects revolt against regimentation.” We have here a silent cut because, the title informs us, “The Nazis destroyed the sound version of this film as ‘degenerate art.’” (The film’s original sound consisted of a soundtrack by composer Paul Hindemith.) The use of stop-motion animation and ingenious editing accords with the Museum of Modern Art’s contention that “the confluence of technology and aesthetic experimentation” that film offered “suited the Dadaists’ passion for the machine-made object.” In Richter's short, such objects refuse to cooperate and play nice with their makers.




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